driven by passion for quality music, easy tiger came to life in 2011. as a contemporary party series. it was born from the idea and the desire to offer something fresh to belgrade’s electronic music scene.
delving deeper into musical endeavours, marko nastic blends his essential quirky, modular soundscapes into two dancefloor oriented tracks. on his new vinyl only imprint, marko promises further explorations of the genre, octagon gate being the primary example of the abstract tendencies. the second side cut, monday surfing, brings some intricately programmed rhythms, keeping the dancefloor dynamics integrated with intricate synths and subtle pads. the first release on his own new easy tiger series is all about future thinking house music.

whyte numbers follows through with an excoursion to georgia, where we found the mysterious will gates. on his debut ep, dedicated to his hometown tbilisi, you ll find 4 original cuts with no frills, plus a mellow acidic vibe workout by our man lootbeg. the record is sure to grab any listeners ear with mellow house featuring a host of fresh jazz and hip hop influences. adding to a beautiful use of vocal loops, he brings forth a refreshing piece of wax that creates another home run for both label and artist.

black vinyl ltd to 300 copies
fresh off the back of a chart topping unity through sound release foundation audio head honcho chad dubz comes correct with three sound system bangers ready for the dance! opener “kingdom dub” is a relentless display of dubstep pressure with its gnarly, pulsating sub twisting and turning throughout the track to devastating effect. it has been a firm favorite in chads sets over the past year and is certified to destroy the dance floor. as the name suggests “space cadet” is a wavier affair. - its peculiar drum patterns and quirky effects combine to form a superbly strange track that retains the heavy sub sensibilities and darkness of its counterparts. closer “drainpipe” keeps the dubstep fundamentals in tact with heavy subs, deranged mids, sparse atmospheres and industrial sounding percussion to create a mechanical monster, rapidly building momentum until it turns into all manner of chaos on the second drop. with fav005, chad dubz has created a fine display of sound system- shaking-pure-dubstep-musical-goodness with possibly his best release yet... essential!

the debut homemade weapons lp ‘negative space’ is still fresh in peoples playlists after a unanimously acclaimed release, and has gone on to be used as a benchmark for d&b lp’s that exist on the edges of the music’s periphery. combining function and form with equal emphasis, negative space is an lp full of tracks that dj’s play in clubs as opposed to being largely relegated to online mixes. to follow on from the lp, we selected 3 samurai artists to rebuild their favourite tracks from negative space and have combined this with a tidal track vip from homemade weapons made initially for his dj sets. ancestral voices, the untouchables, and sam kdc all turn in unique interpretations.

nvs003 continues collecting those next club jams to make you move with a fresh sampler of heated mood music drawn from two revolutions of the world’s axis.
pads founder niro, contributes a dubbed out house track punctuated by spacial stabs and emotive, rumbling bass. vnzo, from chile brings forth a taught dance floor burner with subtle, looping melodies backlit by pianos in the key of sad. some continental knee cappin’ comes courtesy of french newcomers nmss and jjuan with their fragmented reimagination of a hip house classic. ukrainian zolaa delivers a raw up-tempo trip into outer space.

fresh statements of delicious instrumental grime/downtempo/dancehall tunes!

after a rollercoaster twenty-five year career as an artist, curator and tastemaker, james lavelle returns with unkle’s fifth studio album: the road part 1.
the road part 1 is a collection of fifteen new unkle tracks inspired following his curation of 2014’s meltdown festival at southbank, their most successful to date.
the road part 1 is a collective creative venture by musicians including london folk-rock artist and poet keaton henson, primal scream’s andrew innes, the duke spirit’s liela moss, long time unkle collaborator mark lanegan, and mercury prize nominee eska.
lavelle also found new friends and collaborators in queens of the stone age drummer jon theodore and beck drummer justin stanley, who make definitive contributions throughout the record.
recorded in london and los angeles’ pink duck studios, the road part 1 is the product of a desire to create something fresh and innovative, that also celebrates the rich history of unkle, and showcases a new wave of talent such as elliott power, mïnk and yseÉ.
double 180 gram black vinyl, housed in a gatefold sleeve.

get ready for some true wonkiness, courtesy of neil landstrumm.
this is techno purely for those rock-solid psyches who lack that element of the deranged, the off­-kilter and the strange - on the dancefloor and in their own mental constitution. if you’re even slightly in doubt of your sanity, stay well clear of this cut.
the fact that he’s been using elektron instruments probably means it’s even more important to have that straightjacket at the ready. even that won’t stop you from dancing, though. neil has been making wonky techno since antiquity, hell, he’s the progenitor of the genre, but what you probably didn’t know is that he’s also been doing graphics for rockstar games, the software house that brought you grand theft auto.
he’s been a skilled elektron user from the very beginning, from the high and far­ times of the sidstation.

that cyberpunk chameleon of styles, manchester’s pride and dancefloor master ruf dug is back on wax on copenhagen’s music for dreams. following up the first 12” of remixes that came out last year, we once again re-visit the island life of monsieur ruffy and his debut full length album “island” (recorded during a sojourn on guadeloupe). first up we have italians on the mix. hi-jacking ruffy’s tribute to wally badarou, leo mas and fabrice opt to do their own thing: which is churning out a bouncing house belter of their own that bears little resemblance to the original lo-fi synth reverie. closer to the original then, is fellow mancunian andi hanley’s take on the same track. adding sparse percussion and and a simple but effective drum beat, this take seems to simply be an uncovered second half of the original, where it finally takes off for the dancefloor. “mangrove dub” is reworked by fresh-on-the-scene aussie producer tropical hi-fi who creates a brilliant version full of moist ambient textures and reverb-heavy dub treatments. at last but definitely not least, seahawks turns the whimsical hippie folk ballad “le rayon vert” into a more intense and neatly dressed affair, focusing on the instrumental parts and lifting aside vocalist nev cotte’s contribution to the original. still with a mindful of tropical dreams and the ocean shore close at hand, but in a more introvert vini reilly kind of way. essential package.

brighton’s klax crew return to critical with their very first full blown ep release on the label since their systems series debut back in 2015. from hard-hitting industrial strength and half-time leanings through to warm liquid gold, the klax boys deliver yet another outstanding, fresh take on drum & bass.

mancini and the creepers is a much needed breath of fresh air that really turned my week around from being horrendous to unreal! with the ridiculous vocal stylings of mancini throwing down some truly unorthodox rhythm, along with the unreal british-accented lyrics, this crew is pure entertainment in my mind. the rapping is done over the production crew, consisting of tommy tempa and frank law’s, beats and is put together in a great package.

fresh drum and bass anthems

parrish smith has quietly been making a name for himself over these last years with releases on knekelhuis and contort yourself as well as with his projects volition immanent and sige bythos. we see him appear on l.i.e.s. in a strong fashion through four varied dense tracks. from slowbeat ebm to belgium klang to classic den hague crushers this ep forges its own path taking these cues and putting smith s unqiue spin on them. heavy yet still possessing groove and hypnotic rhythm, damage will ensue if used correctly. fresh stuff from this up and coming talent.

luckyme records are proud to present our first release with acclaimed young producer suicideyear. six fresh tracks recorded in his new home of new orleans that showcase his continued development at the forefront of futurist hip hop production. each track glistens and evolves in its own way from the warmth of ‘summer hate’ through to the more club oriented ‘mosh mosh’ and ‘spent days watching horses die’, everything remains within his unique outsider viewpoint on the city. in his own words “meant for listening to on the i-55 to new orleans from hammond”.
the vinyl release includes a download code.

myers returns, fresh off the back of a debut show at field day and with a two track 12- nodding to the past and the future. taps is a relentless drum machine driven, synth directed monster, that comes at you like it s about to punch you in the face, but actually picks you up and chucks you on its shoulders. rabona is a restrained, smooth but rugged roller, with subtle shifts that previews another layer to the myers palette. having taken steps out into the real world, expect a lot more to come over the next year

fresh of the back of his recent environments ten release on xvi records, south london based producer and brownswood future bubblers alumni munro returns to his own imprint arken records, bringing a few friends along for the ride. following on from his debut arken records 12-, (a limited- to 100 run which gained him support from the likes of bradley zero, jimpster & more) munro enlists the help of long time friends um river & bard, and fellow future bubblers participant revenu, delivering four upfront, forward-thinking and uncompromising tracks. from the deep, acid driven, broken beats of bards -tatala- to the cavernous, unrelenting energy of munro s -fall- - each cut seems to feed from the energy of the other, twisting and turning into constantly unexpected directions. a dark modular synthesis induced atmosphere hangs heavy throughout the record creating an almost dystopian soundscape at times. it s overpowering grooves transmit through empty space, perfect for soundtracking moments of nocturnal transcendence.

since the inception of gregory vand and susan subtract’s electro-punk outfit high-functioning flesh in 2012, the band has proven to be one of the most singular acts in years, defying the genre tag of “classic” ebm, as the creativity and fresh perspective they bring to the stage and studio has been instrumental in carving out a modern audience for the genre – elevating hff into a category all their own. following their striking debut on dka records in 2014, high-functioning flesh delivered an exceptional step forward in their sound on their sophomore effort for dais records, the “definite structures” lp in 2015. since then, high-functioning flesh has toured extensively with label mates body of light and previewed their caustic shift to a more refined, hardened signature with their “human remains” single in 2016. we now find high-functioning flesh at their sharpest and most poised position to date within their newest album: “culture cut”

nice price deal !!! after the >vibration ep< lars brede aka stashrider is back on frisbee with a up to date mix of the 80s classic >lets dance< and a fresh percussive pumping flipside..

these ones keep floors moving! championing an inimitable groove, the possé present three club ready tracks on their season s greetings ep, combining the know-how of house with the energy and spontaneity of a live band set up. recorded at the legendary citisound and rec studios in sydney, the tracks on ken004 each deliver different perceptions of the up-tempo house beat they’re quickly becoming known for. the title track is probably the heaviest delivery from the label to date, highlighted by the iconic drip of the tb-303. cheeky guitar licks and 808 rhythms jump in and out of the tracks on the ep, keeping it fresh on the live tip.

danish composer the swan and the lake is at it again with his trademark widescreen soundscapes wrapped around eight new tracks of exquisite scandinavian balearica. with the release of his first album -moments- last year on copenhagen’s music for dreams, we were introduced to a unique artistic vision. with one foot in the ambient chill out spectrum and the other in everything from classical avantgarde, idm and jazz, the music of emil svane breum under his alias the swan and the lake is both very accessible yet complex. on his new album -clouds- we see him expand on those same ideas and with seemingly simple means achieve extraordinary strong emotions. opening side a, the jazzy intro of -fresh food- leads us into a sublime piece of hazy ambient groover that could easily be mistaken for a lost 80s production from japan. -clouds over Østerbro- keeps things playfully cool and adds elements of scat singing and xylophones, layered over breum’s shimmering bright chords. while the title suggests we are still on danish soil, this feels like a five minute vacation to a tropical paradise. guitarist johan liepstack makes a guest appearance on -summer in december- which comes off as an understated anthem that could break out into euphoria at any second, but manages to stay in a sombre state all the way through. on the track -plastic pacific ocean remake- we are visited once more by airy vangelis-like vocals which assume the role of a nurturing angel, guiding us to a comforting state of relaxation and healing, as breum lays down an overwhelmingly beautiful synth serenade with chords that hit you right at the core of your most vulnerable state. flip over for the mallorca inspired track -port d andratx- which comes in two versions - part 1 (sun) shines like a perfect escape into that cafe del mar/ hostal la torre sunset while the more deep and melancholic part 2 is aptly named rain. the gentle trickling of -waterfalls- sees breum mimic the eternal cycle of water, creating an organic and ethereal composition that stretches out seemingly without beginning or end. and finally on -heaven’s voice- we see breum in his most epic and emotional mood, as he steers us through a slow explosive force of cinematic sounds. it all ends with a heartfelt spoken word contribution by guest vocalist neonbi.

paul hester created his cult moon music label in 1997 as a portal for his own productions and sounds. the label was short-lived, with only 3 releases in it s catalogue, all produced by hester himself. those few releases on moon are now highly sought after among house and techno aficionados who are forever seeking that deeper groove. the interesting part of this story, beyond the amazing music that was released, is that there are many other tracks that never saw the light of the day, thus leaving the full moon story untold. roll on to the year 2000, hester unleashes the never enough ep, a 4 track collection of tracks that ooze his own unique sound. deep, rolling, crisp drum programming, breakbeats and swelling synth pads all form the classic moon music vibe. this fully remastered reissues tracks are all lovingly transferred from paul hester s private, personal dat stash. classic, deep uk techno sounds from the pre-millenium era, re-presented for the first time for 2017s dancefloors. across this ep we are treated to a sound that is timeless and will undoubtedly gain paul hester new fans while reminding those of us who were there in the late 90s / early noughties about his subtle and uniquely fresh production style.

2017 repress !! mcde recordings is happy to add a fresh new talent from down under to the label, harvey sutherland, who has been releasing some amazing records in the last two years. danilo has been supporting him since his very first release, and we are proud to put out some of his trademark cosmic boogie biz on this double sider for mcde. a one-time session player and behind-the-scenes man, analog synthesist harvey sutherland emerged from melbournes bubbling underground with a cassette tape in hand. 2013s nexus ep on this thing records - a trip through lo-fi boogie and roland house music - was a cult hit amongst dancefloor aficionados, priming listeners for a lauded ep on echovolt records and the best-selling * brothers* on voyage recordings. his music has been played and appreciated worldwide, with enthusiastic support from prominent tastemakers and weekend warriors alike.

new york collective sheik ‘n’ beik continue to expand an impressively developing catalogue adding to releases from xamiga, keita saino and jeffrey scott with a fresh 12” from voodoo down records owner and fellow brooklynite n conduit. having utilised voodoo down as a platform for his own brand of rich, emotive house music n conduit now dims the lights a tad in offering up 3 neatly reduced techno tracks that meld dystopian drones with disquieting melodies and tough, swung drums. ‘echo must die’ kicks things off with looming pads and glistening synth tones. a bold, punchy kick drives a purposeful march forwards whilst mangled computer fx pepper the high-end.

forgotten idols lie smashed and scattered across the floor. dissonant undercurrents coerce a riptide of shattered beats as duran duran duran speeds into sight and docks directly into your neurological pathways. tracks swarm into your mind effortlessly dismantling the techno mainframe. refracted acid takes ‘sexus’ to a place where famished ghosts leer at each other across a mist-infused steam room. repeated listenings reveal new fissures, fresh layers emerge as we scrape away at the glacial enormity of this techno scree-face. redemption is in sight as we take a final pasting on ‘marathon man’, a track so banging as to provoke a wry smile on the face of any seasoned raver. at its climax it screeches under the weight of its intensity, flinging its subjects into a feral transcendence.

vinyl only reach their seventh release with a fresh grip of lesser known producers bringing high grade grooves to the table. bubbadog opens the 12inch up in a woozy fashion with the warbling piano chords of goin round, capturing a time-slip mood that carries through to the dusty jazz soaked beat down of minus the majors strole on through. on the b-side, alex zuiev gets into an exotic, chiming, 80s-inflected mood on down by the river, creating a slow-burning dancefloor heater out of classic ingredients. ugly frankie finishes the ep off with the stripped down funk of your ears look great

bomb after bomb! a new my rules records original coming straight from label boss justin van der volgen. fresh off the back of his latest ep which featured peak-time versions of shit robot s lose control and felix dickinson s burning flame , this one sees him on a whole other but no less floor-filling trip. coming in regular and dub mixes, no vacancy sounds like a lost brooklyn dub-soca-reggae-house classic. the a side charges with warped machine percussion, chanting vocals, a militant rhythm section and a seriously heavy bass line. flip to the b side and check justin s impressive dub skills. stripping the track back, he maintains complete propulsive energy, all the while adding plenty of psychedelic twists sure to melt minds. expect to hear your favourite leftfield, deep-digging, big room selector dj ripping the dance all year with this.

chaim, chaim, life, we here in the disco halal hq are so happy about the fact you joined us, you are a true gentleman, a melodic genius, and really the missing link in the chain of our releases. for you who still haven t heard about chaim, we urge you to do a small search and find this universe, no less, of music that he has created on top labels such as bpitch, jeudi, and so many more. as a moroccan decedent chaim graced us with his fresh approach to north african music, summing it up with banging beats and percussions. the perfect circle, lives up to his name, it feels like chaim finally went back to where he has came from.

ensuring they keep things pushing forwards while also celebrating their past, vibraphone call upon rising talent gemil to deliver an ep that is purely fresh material. -forces & gravity- is perfectly honed to get the maximum response from the dance with its muscular production and catchy vocal sample, but if you want an even more focused affair the remix strips things down to the bare necessities and works just as effectively. on the b side -horizon- gets a touch more playful in its synth work with interplaying riffs creating a dazzling whole, and then -solar storm- brings the heads-down, hard-swinging heaviness into the mix in a devastating finishing blow.

fresh from charming the pants off us with the verdant echoes from the southern place 12-, italian producer piero paolinelli is back as sofa talk with a new single striding out on the ever fantastic tusk wax. this 12- comes steeped in different shades of party music, from the bouncy organ chords and motor city leads of -disquiet- through to the slickly diced up boogie tones of -elastic-. as well as paolinelli s mighty fine originals, the remixes come from some big hitters. ad bourke gets on board to turn -disquiet- into a energised, bubbling house burner while posthuman brings some of his trademark tough acid touches to elastic-.

strangelove music isdelighted to present its first project, two songs from lena d’Água, one of portugal’s great musical acts of the early 1980’s. combining a siren presence and soaringvocalsalong side songwriter luis fonseca and backing band atlântida, they released a series of records that wove through the avante-pop sensibilities of the time.collected here are two of their more leftfield moments, ‘jardim zoológico’ is a beguiling mix of new wave, post punk and dub into a short sharp pop format, impossible to properly categorize, the dynamic composition sounding as fresh now as it did 35years ago. on the flipside, the calmer ‘tao’ takes fonseca’s keyboards towards more eastern territory, conjuring up a dreamy synthesized new age vibe. lena’s beautiful fado hued notes hang poignantly across bothsongs. beautifully re-mastered by reissue specialist peter beckmann vital sales points: - debuted on tim sweeney’s beats in space radio show & tastemakers stamp the wax and dream chimney, test pressing distributed among the balearic mafia, moonboots/ phil mison, hunee etc -support from key tastemaker retailers including redlight records, growing bin, organic japan, piccadilly etc

fresh metalheadz quality

w is the much-anticipated debut album of waage, a young & exciting reykjavik-based producer. his debut ep offers a spacious, texturally intoxicating and hypnotic minimal techno a journey through rhythmatic musical landscapes.aw1 is a ode to basic channel a propulsive, yet delicate, mantra. the repetitive nature of it will take a hold of the listeners and project them into previously unknown state of mind. w6 is reminiscent of some of the finest works of legendary icelandic techno producer exos, who happens to be the mentor of this young up and coming artist. the whole ep is driven by curiosity and passion, and despite some obvious influences manages to offer something fresh and exotic for the adventurous music consumer.athule records is considered by many to be a pioneers in the field of dub-influenced techno music and was a starting point for many of iceland s most renowned electronic musicians.

coalmine records is excited to announce the limited-edition vinyl release of the artifacts’ highly regarded 2012 single, “easter,” which marked the group’s first official release in more than 15 years.
initially released as a digital single on april 3, 2012 (the tuesday before easter sunday), the track later appeared on coalmine’s decennary compilation, unearthed, which dropped may 13, 2014.
however you heard it—one thing was very clear: despite their time apart, artifacts emcees tame one and el da sensei sounded as fresh as ever on “easter.” the new jersey rappers’ venomous flows are boosted by the neck-breaking production of acclaimed north carolina producer khrysis. making the cipher complete is the turntable work of dj dutchmaster, who provides the scratch hook and outro cuts.
with this release, “easter” makes its grand return in the physical form in a limited-edition white vinyl pressing that also includes the instrumental track on the flip. it also takes things back to the old-school by way of a front jacket hole that exposes the label (the heads know what’s up).

copenhagen based music for dreams release the debut album of mackrory and collier.
nick mackrory & harry collier’s musical partnership dates all the way back to the 90’s, when they were both deeply invested in the musical boom in the uk that followed acid house, the rave scene, and the ibiza experience. nick went from drumsticks to turntables to studio wizardry, while harry honed in on his golden voice - which led him to a stint as a singer for faithless. they found their way back to each other in 2014 and have since developed a sound together that is fresh but not too polished. with touches of 60’s chanson coupled with sundazed electronics, their songs linger on like the feeling of a long day spent outdoors in summer.
this album collects their previously released singles for music for dreams along with exclusive new material and a number of remixes, edits and alternate versions that together form a mesmerizing listening experience.

eric boss â&#128,&#147, closer to the spirit just when you thought that the funk 45 game was becoming a little bit too predictable, mocambo once again hits with a sureshot single to smash dancefloors across the pond. eric boss (dj e da boss, myron & e, the pendletons...) needs little introduction. his 2ndouting with the german funk heavyweights anticipates their forthcoming collaborative album - a modern love- with a raw uptempo funk track, oozing old school vibes, flipped live and uncut on tape with a fresh style that is all their own. limited edition vinyl 45 includes instrumental for dedicated djs.

eodcn forwarded this super fresh release to weme records in 2016 from meggablockx, a long-time friend of his based in miami. a side fresh timeless idm, b side electro synth jams limited supplies!!

it is almost summertime and endless welcomes the brazilian analogue wizard zopelar. >origini< is a cinematic techno track which is the result of a full analog jam, his obsession with vintage synths and drum machines. the track opened most of last live years shows. zopelar is also writing and producing various forms of propulsive pop, running the excellent >in their feeling< label founded in 2015 together with his good friend davis, as well as performing in clubs and festival with his live techno project. on the remix a man who doesnt need introductions: ripperton, the finest swiss dj and producer, delivering two superb and outstanding remixes! from immersive dark techno to refined house, ripperton adds a fresh alternative sense of introspection to >origini<. we were simply delighted from the very first listen! enjoy!

what is there to say about the difference ? this is how it should be done - deep, with soul and conveying a message, house music doesn t get any realer, any purer. logic, a collaborative effort between wayne gardiner, roger sanchez, vivian sessoms and eddie maduro unleashed this monolithic slab of music on the world in 1990. truly streets ahead this record helped carve a new sound, a new feeling in dance music. oozing with human emotion and feeling the difference is one of those records that honestly warrants the title of classic . it s b side i got somethin is a slinky, late night groove that recalls smoky, sweaty dance-floors and is all the better for it, this is the real deal for real. yet another solid, essential release from the mighty strictly rhythm vaults, sounding as important, fresh and incredible as it did on it s initial release. house music history brought back into view for lucky ears and feet in 2017. the difference has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017.

primitive trust is the coming together of two experienced musical minds. in one corner is will saul of the influential aus music empire, and in the other is tom mangan, aka tee mango, the producer who started millionhands record and clothing label. the pair met many moons ago and reconnected recently at a festival in morocco. they bonded over music, lunch and shared family travails - and as they both now live in somerset decided a little local studio collaboration seemed all but essential. between them, these consumate country gentlemen have seen plenty a musical styles come and go, so decided their best route forward would be to make music to please themselves. to that end, they holed themselves up in tee mangos woodshed studio with the following ground rules: they would make music only with the gear they had (mpc 2000, ableton, roland 101, juno, fender rhodes, various fx pedals) they would trust their instincts and go with first feelings they would embrace the joy of randomness if in doubt they would ask what would carl do? with that, you have the simple but effective mo of primitive trust. these sessions have resulted in a series of three eps to be released over the course of four months. each ep will feature 2 or 3 original tracks and one fresh remix, with unique artwork and an illustration by all-around visual auteur geoff mcfetridge. using the building blocks of house, and classic techno primitive trust can do zoned out and romantic, as much as driving and heady, but with an ease that comes from experience, years in the making. while tipping their proverbial hats to the past they also look to the future with their sound, mixing samples, wigged out synthwork and propulsive rhythms to create something honest and heartfelt that will stand the test of time

on the a side - fresh aus das legalize lambada vaterland, the ex-yu! we bring you two white magic truffles one a jazz-funk original number courtesy of anelidi and the other a bangin-disco-stomper edited by lule. for the b side 2 more precious black truffles, dug out by our wild boars on their recent trips to the motherland - africa. our main man mikeburns delivers a mental-afro-hand-raiser while albion caters a deep-teeth-clencher. recognize and legalize!

nice price deal !!! fresh from a big 2010 that saw corrosion become many peoples candidate for album of the year, and a follow up 12inch with remixes from autechre and the black dog that brought even greater attention to the project, the next job for anodyne (colin cloughley) is to now release what is bizarrely his debut solo 12inch. while corrosion showed colins love for early black dog and warp records, this ep starts off with the more growling intent of destruction - a thundering techno/dubstep hybrid that brings together the rawest elements of both genres, punctuated by suitably eerie undertones and venomous bass-heavy snarl - a true club monster if ever there was one. a2 is a straight hitting acid/hoover attack that descends into all sorts of chaos - reminiscent of the power of polygon window coupled with the madness of spiral tribe, this is a track that quickly brings things into disrepute. on the b-side menace 808 revisits the electro/breakbeat rave sound with all sorts of twists and turns that eventually drops into a pure unashamed hands in the air breakdown, one for the fields and festivals this summer? you know it is. closing with the pacy, glitched up breaks of talon, anodyne proves once again that when it comes to haunting yet majestically uplifting dancefloor music, there are few better in the game.

nice price deal !!! after the first three successful releases, krakatoa is ready to burn dancefloors with this two track ep. >star song< is a powerful old school influenced tune with a strong vocal, perfect for the summer. >t m base< is a dancefloor smasher, it runs super funky on the bassline and fresh on the beat. donÆt miss it!

deco is the new label of manuel de lorenzi (monday morning) and giacomo silvestri (25hours). after their strong friendship and collaboration in studio they decided to release some fresh stuff together. 4 original tunes, deep ones with a touch of housy dancefloor vibe. deco is their platform to express all the ideas fixed and mixed together. deco is music, art and their inspired mood. stay tuned!

a strong staple in the drum and bass scene for over a decade, gridlok is no stranger to whipping up heavy, power-fuelled tracks guaranteed to leave a lasting impression. ready to cause more chaos with a fresh spin on his trademark concoction of hard-hitting drums and driving basslines, gridlok now gears up to unleash 13 face-melting new tracks on his new z3r0 h0u2 lp.

here it is! some brand-new wax for your listening pleasure! the days are becoming longer, summer is just around the corner, and our latest release appears to perfectly embody the spirit of something new, something fresh, and something exciting. indeed, we’ve combined all this into a single 12” featuring the likes of satl & electrosoul system, and invadhertz. the release is all about good mood and chilled vibes, and virtually anything you can tag with the liquid label (if you really need to). but categories aside, our new twelve incher comes with a superb collab between satl & electrosoul system on one side, and with a solid track by the upcoming collective of invadhertz on the flipside. the former, entitled “satless”, is a warm, vocal-infused gentle roller that seems to be best enjoyed in the sunny days to come, while the latter, named “lily”, offers a nice combination of a bit rougher percussion section and booming bassline enriched with even more of vocal inserts. all in all, the whole single is a tasty treat for all those into the lighter side of drum & bass.

rooted series is back with a really fresh v/a ready for rock the dance floors.
this time starts with label mate dakpa (rooted/sukhumvit) who brings a really rolling house track with great ambiances. a2 comes with in haus wax label boss tijn with a minimal chords house with great senses. b side arrives with our partner rickzor who builded a great old school house track full of groove. the release ends with label boss bolumar who brings another old school house feeling track.

this record is the result of an undeniable desire to uncover a once lost and forgotten gem from beyond the dust. to recover the magic underneath, that has never grown nor subsided and doesn’t belong to anything but itself. a love story between two music labels that found each other in this blissful journey, lossless and something happening somewhere are here to presents the next chapter in their findings. uzoamaka is an original track by king britt from 2002, that still remains as fresh and uplifting as it was 15 years ago. nuno dos santos (sohaso) has been in love with the sonic narrative since it was released, but felt the urge to bring the transformative beauty to a wider audience. in an attempt to recover the original, the original master and pre-master turned out to be lost by the waves of time. calyx mastering have remastered the music straight from vinyl, keeping the raw charm of the original but giving it a sonic facelift to fit with modern standards, also making it available in the digital format for the first time since it’s release. the original by king britt is an ode to the ritual of dance music in it’s purest form. with vocals panning across the stereo field that preach ‘sing, dance, be, free to dance’, it resonates with the primordial human playfulness, joy and expression in all of us. teasing with a melodic bassline, almost reaching twelve minutes running time, it’s a modern hymn that never fails to mesmerize and bring people’s spirit together. besides remastering the original, it gave the opportunity to invite other artists to retell the story. this time the mighty dixon gives the original track an update for modern dance floors. pushing the groove to the foreground, adding some extra percussion and drive while letting the choir guide you to a monumental break in which the chord suspends in the air. “free to… free to… free to…” nuno dos santos has used his magic touch for a short beat edit, which focusses the whole affair on the groove even more. a powerful tool to add some impact to tracks or to break up an otherwise repetitious dj set. mathias schober is back under his sb alias, carefully tightening and shortening the original version from 2002 with his edit to create a version that celebrates the quality of the elements. pushing and pulling, enhancing the entrancing effect of the musical soul.

fresh from her last release which featured an essential remix from ricardo villolobos, russian artist julia govor is back with three more great tracks on the ever excellent rhythm cult.

blackcash & theo get back at it with the latest in this series of funk soul party edits. pleasure bouncy lady is an amazing funk break track, produced by jazz legend wayne henderson of the crusaders. the intro break has been extended, and is one of the all time classic hip hop funk breaks. elements of this track were sampled on brand new funk by dj jazzy jeff & the fresh prince, word to the mother (land) by big daddy kane, and church by de la soul. whatnauts why cant people be colors too is a soul / r&b jam with another heavy break, as sampled by q-tip, pete rock, diamond d, dilla, and oh my god by a tribe called quest featuring busta rhymes.